The Paris Review

Rosamond Lehmann, Literary Star

In 1926, when British publishers Chatto & Windus accepted Rosamond Lehmann’s first novel, , they had modest hopes of its success. Young authors and tales of youthful experience dominated the market at the time, a craze sparked by Alec Waugh’s autobiographical best seller , published in 1917, when he was nineteen. And twenty-six-year-old Lehmann had written a book “of decided quality,” thought Chatto director Harold Raymond, who nevertheless told her that they didn’t expect to make any money. The novel received a few reviews following its publication at the end of April 1927. “This is, indeed, one of the most charming and convincing studies of young womanhood that we have read for some time,” said . “But the story is too sad for popular taste.” Such an assessment was, it seemed, borne out by the less-than-brisk sales. Then a week later, the ran a review by the poet and critic Alfred Noyes, who was an old friend of Lehmann’s father’s, and whose praise was the stuff of debut novelists’ dreams:

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