The Paris Review

The Life and Afterlife of Vivian Maier

Vivian Maier, 1958. (Image from the Ron Slattery negative collection.)

The following is an excerpt from Vivian Maier: A Photographer’s Life and Afterlife, which was published last month.

There are many ways to get the wrong picture about Vivian Maier. Call her a nanny, as if that was her identity, instead of a photographer. Call her just a Chicagoan or just a Frenchwoman, instead of a born Manhattanite and self- styled European. Call her Vivian, as if you know her well. Call her a mystery or an enigma, as if no one ever knew her, or ever could.

To get the right picture, look at her squarely, as she would look at you: on her own terms, from her own evidence of who

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
Credits
Cover: © Jeremy Frey, courtesy of the artist, Karma, and the Metropolitan Museum of Art. Page 12, © Jeremy Frey, courtesy of the artist, Karma, and the Metropolitan Museum of Art; pages 34, 43, 48, 50, courtesy of Mary Robison; page 53, photograph by
The Paris Review1 min read
From “Section Of Adoring Nocturnes”
Stellatundra, Albadune, Whiteout,Zebranivem, Faloop’njoompoola. —Engaland, she said. Or a crystal bead of meager bees, a noctifuge suitcaseon the tip of the tongue. Give me loops.Give me turtles. O remolino de abejas marronesen un veliz “noctífugo.”
The Paris Review2 min read
Contributors
MOSAB ABU TOHA is a poet, short-story writer, and essayist. His second poetry book, Forest of Noise, is forthcoming from Knopf in fall 2024. REBECCA BENGAL is the author of Strange Hours. DEEPA BHASTHI is a writer and critic who translates Kannadalan

Related Books & Audiobooks