The Millions

Snapshots of Detroit: The Millions Interviews Dominique Morisseau

The final piece of playwright Dominique Morisseau’s Detroit Trilogy, Paradise Blue, is now ending its extended run at Signature Theatre in New York. The trilogy’s earlier pieces, Detroit ’67 and Skeleton Crew, dealt respectively with the city’s bloody summer of 1967 and, four decades later, with the death rattles of the once-mighty auto industry and the Motor City itself.

unfolds in late 1949 at a nightclub called Paradise, located in the heart of Detroit’s thriving black entertainment district known as Paradise Valley. There’s a cloud hanging over the club and its denizens. The owner, a jazz trumpeter named Blue (), is haunted by the ghost of his murderous father, and by something far more palpable. Race-baiting Albert Cobo has just been elected mayor on a promise to rid the city of “blight,” a code word

You’re reading a preview, subscribe to read more.

More from The Millions

The Millions17 min read
Same River, Same Man
I’ve been rereading books in part to test my squidness. The post Same River, Same Man appeared first on The Millions.
The Millions8 min read
Jazz Remains the Sound of Modernism
Armstrong and Ellington, Coltrane and Davis, Gillespie and Parker, were central to the same project as other modernists; they reconfigured time and space to craft an alternative way of expression. The post Jazz Remains the Sound of Modernism appeared
The Millions6 min read
The Unstable Truths of ‘The Last Language’
“One thing all truths have in common: they are only visible from certain distances.” Angela, the protagonist of Jennifer duBois’s novel The Last Language, arrives at this conclusion from prison. It’s one of the many instances in the book that forces

Related Books & Audiobooks