The Paris Review

Homosexuality, the Holocaust, and Historical Fiction: An Interview with Julie Orringer

Left, Varian Fry. Right, Julie Orringer [photo: Brigitte Lacombe]

From the fall of 2008 until the spring of 2009, I was colleagues with Julie Orringer at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. We both had the extraordinary fortune to receive fellowships to do research for our novels. I was researching New York City at various moments in the twentieth century, along with the history of AIDS in the city. Julie was researching the historical figure Varian Fry. Neither of us knew what we were about to make, nor could we make any sense of the pile of books the other had stashed in their office. Ten years have passed, and now we know: I wrote a novel called The Impossible Lives of Greta Wells, and Julie has just published her novel The Flight Portfolio. It is an honor to watch a writer in the beginning stages of work, fiddling with their magician’s equipment, and an astonishment to see what flies, at last, out of their sleeve. In her case: a breathtaking work of wonder, set in occupied France. I waited for the world to take notice. Then I saw The Flight Portfolio featured onNew York Times Book ReviewThe Flight Portfolio

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
Aēsop® and THE PARIS REVIEW
The story of Aesop’s partnership with The Paris Review is one plotted by a deep reverence for the written word. Since 2015, we have been proud to offer this esteemed quarterly for purchase in select stores across the globe and at aesop.com, inviting
The Paris Review2 min read
Paper Bags
G. Peter Jemison was born in 1945 to an ironworker father and a stay-at-home mother, both of the Seneca Nation of Indians. He grew up in Irving, New York, on the border of the Cattaraugus Reservation, where he often visited his cousins and grandmothe
The Paris Review1 min read
Credits
Cover: © Jeremy Frey, courtesy of the artist, Karma, and the Metropolitan Museum of Art. Page 12, © Jeremy Frey, courtesy of the artist, Karma, and the Metropolitan Museum of Art; pages 34, 43, 48, 50, courtesy of Mary Robison; page 53, photograph by

Related Books & Audiobooks