Film Comment

Control Center

SABELLE HUPPERT POSSESSES A GIFT THAT VERY FEW—AND usually very great—screen actors have: a perfect poker face. We can only appreciate this attribute in context, because on a lesser performer it could seem like expressionlessness—an indicator of a lack of substance, or worse, a lack of interest. In Huppert’s case, where our appreciation of her intelligence and profundity is instantaneous, we always know she is thinking , but what that is, is known only to her. She could be simply holding back, keeping the mystery alive for the audience; she could be internalizing the character’s feelings because the scene demands it; or most likely, she could be refusing to base her reactions on the demands of a camera, instead opting to react to her character’s circumstances exactly how (and when) she chooses. It is this expression of supreme confidence and commitment to her own

You’re reading a preview, subscribe to read more.

More from Film Comment

Film Comment13 min read
Blood On Their Hands
THE TRANSGRESSIVE SOCIAL VISIONS OF BACURAU and Parasite may have helped prepare us for the chaos and iniquity of the COVID-19 era, but long before those films of class warfare, there was Luis Ospina. In Latin America, the revolution had a blueprint
Film Comment3 min read
A New Old Master
Alice Guy Blaché Vol. 1: The Gaumont Years (1897-1907), Vol. 2: The Solax Years (1911-1914), USA; Kino Lorber The Intrigue: The Films of Julia Crawford Ivers, USA, 1915-1916; Kino Lorber FEW DIGITAL COMPILATIONS HAVE HAD AS REVELATORY AN effect on Am
Film Comment2 min read
Light Industry
Making Images Move: Handmade Cinema and the Other Arts By Gregory Zinman, University of California Press, $45 THE ETHOS OF ARTISANAL CRAFTSMANSHIP PERMEATES modern life, or at least its marketing does. But recently, there’s also been a genuine return

Related Books & Audiobooks