The Decline of the American World
Tom McTague and Jeffrey Goldberg discuss America’s changing role as a global leader, live at 2 p.m. ET on July 30. Register for The Big Story EventCast here.
“He hated America very deeply,” John le Carré wrote of his fictional Soviet mole, Bill Haydon, in Tinker Tailor Soldier Spy. Haydon had just been unmasked as a double agent at the heart of Britain’s secret service, one whose treachery was motivated by animus, not so much to England but to America. “It’s an aesthetic judgment as much as anything,” Haydon explained, before hastily adding: “Partly a moral one, of course.”
I thought of this as I watched the scenes of protest and violence over the killing of George Floyd spread across the United States and then here in Europe and beyond. The whole thing looked so ugly at first—so full of hate, and violence, and raw, undiluted prejudice against the protesters. The beauty of America seemed to have gone, the optimism and charm and easy informality that entrances so many of us from abroad.
At one level, the ugliness of the moment seems a trite observation to make. And yet it gets to the core of the complicated relationship the rest of the world has with America. In Tinker Tailor, Haydon at first attempts to justify his betrayal with a long political apologia, but, in the end, as he and le Carré’s hero, the master spy George Smiley, both know, the politics are just the shell. The real motivation lies underneath: the aesthetic, the instinct. Haydon—upper-class, educated, cultured, European—just could not stand the sight of America. For Haydon and many others like him in the real world, this visceral loathing proved so great that it blinded them to the horrors of the Soviet Union, ones that went far beyond the aesthetic.
Le Carré’s reflection on the motivations of anti-Americanism—bound up, as they are, with his own ambivalent feelings about the U.S.—are as relevant today as they were in 1974, when the novel was first published. Where there was then Richard Nixon, there is now Donald Trump, a caricature of what the Haydons of this world already despise: brash, grasping, rich, and in charge. In the president and the first lady, the burning cities and the race divides, the police brutality and the poverty, an image of America is beamed out, confirming the prejudices that much of the world already has—while also serving as a useful device to obscure its own injustices, hypocrisies, racism, and ugliness.
[Ta-Nehisi Coates: The case for reparations]
It is hard to escape the feeling that this is a uniquely humiliating moment for America. As citizens of the world the United States created, we are accustomed to listening to those who loathe America, admire America, and fear America (sometimes all at the same time). But feeling pity for America? That
