A conflicted hero – torn between duty and family
“IT WILL mean change, Iraq needs to change.”
These are the words of teenager Sawsan’s (Leem Lubany) to her Israeli police officer father, Muhsin al-Khafaji (Waleed Zuaiter), as the country faces a great political divide with the ousting of Saddam Hussein.
I knew when I started watching Baghdad Central, which is based on Elliott Colla’s novel of the same title, that it was going to be heavy viewing of a similar ilk – may be more so – to Homeland.
With the current risk of a new war in the Middle East, it is admittedly even harder to watch.
The series opens on a peaceful and joyous note. The family are celebrating Sawsan’s birthday.
Sawsan has strong views on the country’s politics and the need for change, but her father doesn’t pay as much attention to it at the time.
Fast forward to March 20, 2003, the landscape is no longer what it was.
The skyline is blanketed by the smoke of burning buildings as fighter jets noisily dart by.
This scene no longer startles, evident in a scene where Muhsin is on his balcony taking in the horrific sight around him with the calm of a Buddha. On the streets below, the children continue to play. Life seems normal, except it isn’t.
Much has changed in his life. He is no longer in law enforcement. His wife has passed away from cancer. And his youngest daughter, Mrouj (July Namir), is in dire need of kidney dialysis.
His troubles worsen when his brother calls to inform him that Sawsan is missing.
While conducting his own investigation into his missing daughter, he faces another hurdle when American troops kick down his door and arrest him.
After a short imprisonment, where he is tortured for information, he is introduced to Frank Temple (Bertie Carvel).
Frank, after clearing Muhsin as a suspect named 3 of Diamonds, feels they could use his expertise. He sweetens the deal by promising him healthcare for Mrouj.
This decision doesn’t sit well with John Parodi (Corey Stoll), a US military police captain who is no fan of Frank.
John is also not a fan of the Iraqi police, which he makes very clear in a conversation with Frank.
He rants:
