The Atlantic

How <em>12 Years a Slave</em> Gets History Right: By Getting It Wrong

Steve McQueen’s film fudges several details of Solomon Northup’s autobiography—both intentionally and not—to more completely portray the horrors of slavery.

At the beginning of 12 Years a Slave, the kidnapped freeman Solomon Northup (Chiwetel Ejiofor) has a painful sexual encounter with an unnamed female slave in which she uses his hand to bring herself to orgasm before turning away in tears. The woman’s desperation, Solomon’s reserve, and the fierce sadness of both, is depicted with an unflinching still camera that documents a moment of human contact and bitter comfort in the face of slavery’s systematic dehumanization. It’s scenes like these in the film, surely, that lead critic Susan Wloszczyna to state that watching 12 Years a Slave makes you feel you have “actually witnessed American slavery in all its appalling horror for the first time.”

And yet, for all its verisimilitude, the encounter never happened. It appears nowhere in Northup’s autobiography, and it’s likely he would be horrified at the suggestion that he was anything less than absolutely faithful to his wife. Director Steve McQueen has said that he included the

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