BOOKS
RECORDING in West Berlin in the summer of 1977, David Bowie and Brian Eno felt they’d been upstaged in their search for a new sound when they heard Donna Summer’s “I Feel Love” on the radio. Years later, Bowie remembered Eno telling him that the minimalist disco classic was “going to change the sound of club music for the next 15 years”. For once, the pop Nostradamus’s instincts may have been on the conservative side. Dave Thompson’s widescreen song biography shows how Moog
