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A Life Of Irresistible Creation: Marian Anderson In Songs And Pictures

The trailblazing singer, who broke the color barrier at the Metropolitan Opera in 1955, is remembered in a deluxe new release of albums and images.
Marian Anderson recording at Webster Hall with her accompanist Franz Rupp in August 1961.

Editor's note: Marian Anderson: Beyond the Music, a new deluxe set of albums and images, released Aug. 27, captures the life and work of America's groundbreaking artist. Hear a playlist of selected songs at the end of this story.

Seeing her in the studio gives me strong Aretha vibes. She's not at the piano, as the Queen of Soul often was, but the instrument is at her service nonetheless. It and everything else were there for her: The wood-paneled room and condenser microphone hanging overhead are but two more surfaces for her to command so that she might be lifted from her environment into ours. We welcome her flight but we aren't used to seeing and hearing her in this way.

The great contralto was a concert singer. She. We witnessed the breeze play in her fur coat and lights bounce from her brooch, and listened to the texture of her voice through old songs that, in combination, produced new visions. German lieder, Italian arias, and Negro spirituals were all her domain, yet each was uniquely conceived and labored over. Together they formed and enveloped us as she traveled the world as an unofficial ambassador for a country with ideals that were not, and are not yet, realized.

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