Slaughterhouse was a 22-day long performance: the main act was to unstitch 52 men’s white shirts with a seam ripper six hours a day in front of a dark blue wall.
It was a fascinating opportunity to perform a long-durational piece curated by MAI in Sakip Sabanci Museum. And a tiring experience as a whole. Waiting for the driver to give me a lift to the museum, watching the streets sliding by, passing the Bosphorus Bridge and finally reaching the museum in the middle of the pandemic. Changing clothes, going
