ImagineFX

PAINT A PORTRAIT – PART 3: OILS

Welcome to the final part of my portrait series. We’ve spent two workshops bashing out backstory, sketching, working out colour compositions, then photographing a model, before we nailing down a detailed working sketch. Was all this prep worth it? Ask Frank Frazetta, who would spent weeks mulling over ideas and colour sketches before painting a picture, sometimes in a single night. He knew the importance, and so did his collectors, who today willingly bid millions of dollars for his paintings.

“What an amazing thing to create something from nothing…”

Frank’s story validated my own approach, which is to paint pictures to be proud of for a lifetime. Almost all my paintings are in private collections, but one, Solomon’s Loss,

You’re reading a preview, subscribe to read more.

More from ImagineFX

ImagineFX1 min read
Sign Up Today! subscribe And Save Money!
SAVE UP TO 45%* PLUS FREE DIGITAL ACCESS TO 140+ ISSUES** START SAVING WITH AN IMAGINEFX SUBSCRIPTION! Subscribing gets you big savings on the cover price, with issues delivered to your door in over 140 countries, while our digital editions are avail
ImagineFX2 min read
Uko Smith
I can’t tell you how many times I’d driven past the building where my studio is now located. I would see a former co-worker’s online photos of her jewellery-making setup, and didn’t really make the connection until I saw an ad for studio space. I had
ImagineFX5 min read
Draw A Scene In Graphite
Graphite has always been the go-to medium for me. I love the way it feels on paper, and the myriad of textures and techniques I can get from it. Working traditionally forces me to learn and adapt. I can’t simply undo a line or delete a layer: I have

Related