The Smiths really kicked in with me in 1984 with Hatful Of Hollow, which is still a lot of people’s favourite Smiths album. They hadn’t become a massive band at that point, hadn’t had millions of hits, so they put this sort of strange compilation out full of sessions and one-off singles, and it’s brilliant.
is what really switched me on to them. It was so offensive, but so erudite and articulate – I absolutely loved it as soon as I heard the intro. Morrissey was choosing different notes, words and phrases to everybody else. Mike Joyce’s drums were sensitive and beautiful, and I hadn’t heard bass playing like Andy
