The Artist Magazine

YOUR VIEWS

STAR LETTER

What is Impressionism?

Having come late to painting (2011) my focus is entirely on oil painting; there is not time for anything else, yet despite that narrowing of scope when I ‘clip’ the magazine article every six months, I always re-read and file a significant number of articles from The Artist.

Mike Barr has presented us with several interesting articles but I was rather bemused in the February 2022 edition. The photograph illustrating Mike Barr’s article, , Rain (right) looks nothing like an impressionist painting to me. It appears to be painted in a traditional ébauche working up from a translucent dark base. I cannot imagine anyone following and developing the impressionist style and methods of 140 years ago into such a dark ébauche. I struggle, and fail, to think of any of the greats of Impressionism and PostImpressionism who would present such a low-key and predominantly narrow-range painting let alone the manner of the application of oil paint.

You’re reading a preview, subscribe to read more.

More from The Artist Magazine

The Artist Magazine1 min read
The Artist
Editor: Jane Stroud Online Editor: Dawn Farley Design: Brenda Hedley, Sarah Poole Advertising Sales Manager: Jayne Perry +44 (0)1778 391189 jayne.perry@warnersgroup.co.uk Advertisement Copy: +44 (0)1778 392405 production@warnersgroup.co.uk Brand Cont
The Artist Magazine6 min read
Moving Indoors
Creating a narrative and capturing a mood has always been Anne McCormack's top priority, as well as the desire to pass onto the viewer the image that caught her imagination in the first place. Anne's considered use of colour and light to describe sha
The Artist Magazine6 min read
Light Fantastic
This second article in my series uses a hillside in the English Lake District to look at aerial perspective – the perception of the landscape becoming more blue with increasing distance. It also demonstrates how to generate a clear focal point by usi

Related