BBC Music Magazine

Harrison Birtwistle

Composer of the Week is broadcast on Radio 3 at 12pm, Monday to Friday. Programmes in August are:

1-5 August Monteverdi

8-12 August Grieg

15-19 August Ruth Gipps

22-26 August Felix Mendelssohn

29 August – 2 September Buxtehude

When people want to praise a composer’s music they often say ‘it’s instantly recognisable’. But that is a back-handed compliment, since it’s a quality that’s actually not so hard to achieve. You just need to invent a few ‘tricks’ or mannerisms and repeat them endlessly.

Harrison Birtwistle’s music is indeed instantly recognisable, but not because it’s always the same. In fact the variety of his music is extraordinary. There’s the muffled sadness of , where the three clarinets and piano move hesitantly in a perpetual twilight, tinged with the silvery sound of bells. There’s the frightening power of his opera , where the thundering percussion and growling bass portray the power of the tormented, misunderstood beast, trapped in his labyrinth. There’s the savage energy of , where the pianist and percussionist caper in a dance of weirdly off-kilter, where the layers of music evoke natural processes unfolding at their own different speeds.

You’re reading a preview, subscribe to read more.

More from BBC Music Magazine

BBC Music Magazine1 min read
Setting the Seine
Paris 2024 will see the French capital richly adorned with music. From May to the final day of the Paralympics in September, the Cultural Olympiad will feature nine high-profile events, each themed to highlight the city and its big sporting occasion.
BBC Music Magazine6 min read
Perfect Finnish
Few of the world’s major maestros can boast of a light carbon footprint. It’s hardly compatible with orchestra-hopping, yet some conductors manage better than others. Despite his busy international schedule, Sakari Oramo succeeds at least on a local
BBC Music Magazine6 min read
Elizabeth Maconchy
‘For me,’ Elizabeth Maconchy confessed, ‘a musical argument must always be an impassioned one.’ Passion, debate, argumentation, ‘sensitive and moving musical logic’ – these were the elements that Maconchy believed made ‘true music’. Every single one

Related Books & Audiobooks