The American Scholar

FREEDOM TALES

In 1825, Lydia Maria Francis was only 23 years old, but she had already written two novels that had made her a literary celebrity. She was fiercely proud of her country’s new history and bright promise, and her protagonists exhibited all the virtues Americans confidently claimed. They were principled, independent, and unbiased. They were also fair, just, and honest. Her first novel, Hobomok, caused a small sensation. “I should think more highly of the talent of the woman who could write ‘Hobomok,’ ” one admirer gushed, “than of any other American woman who has ever written.” The second, The Rebels, was set in Revolutionary War Boston and included an imagined speech by the American patriot James Otis that was so rousing that schoolchildren began memorizing it and attributing it to Otis himself. These early successes catapulted Francis from her working-class origins as a baker’s daughter into the glittering social circles of Boston’s literary elite.

Soon it became clear that Francis had talent as a children’s author as well. In 1824, she published Evenings in New England, a collection of stories, fables, and riddles for young readers. But Evenings was more than entertainment. It aimed to answer some critical questions. What kind of virtues did the new country need? What kind of stories should shape the character of its children? What, in short, should American children be like? Francis populated her book with both glorious heroes of the Revolution and simple, honest characters from Maine. Her stories guaranteed young readers that honesty, ingenuity, and integrity were their birthright, characteristic of every American from the local farmer to George Washington. The overall message was clear: American children should treasure the ideals of freedom and equality they had inherited and pass them on.

But if, she had named both issues. In subsequent chapters, she confronted them explicitly.

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