owhere in music is the art of civilised discourse better exemplified than in the string quartets of Joseph musical conversation pieces that, like the writings of Jane Austen, are thoughtful, witty, endlessly entertaining and, on occasion, downright disruptive. Delightful compositions in any age, they re doubly so in times blighted by groupthink and the muzzling of the joy of ideas freely shared. Meanwhile, who better to perform these works than the finest of).
