Christopher K Ho has been indulging his fascination with fax machines and mermaids. “There is magic in faxing,” says the artist of the almost obsolete communication method. “There are all these possibilities for transformation in the translation of one message to the other.” Ho is standing over a mock-up of his latest installation, an unexpected composition of three fax machines containing images of actress Daryl Hannah at different stages of her life, the most recognisable from her iconic role as a mermaid in the 1984 film Splash, co-starring Tom Hanks. The images in the output trays are glitchy versions of pre-Raphaelite artist John William Waterhouse’s 1900 painting A Mermaid, illustrating the persistence of the human obsession with mermaids.
Ho further points out that faxes are untraceable and unhackable—opaque in a sense. “They preserve a private sphere, where fantasies are transforming; it’s a private thing, fantasy.”
As part of the installation, bizarre, glitchy opera music plays in the background; Ho explains it’s from the Czech opera (1900), in which the eponymous mythical water spirit falls in love with a human, losing her voice in exchange for a pair of legs. In the extract selected by Ho, a witch
