The Atlantic

<em>The Menu</em> Skewers Class Politics

The pitch-black comedy examines the ethics of “eating the rich”—and the hypocrisy of “ethical consumption.”
Source: Photo by Eric Zachanowich. Courtesy of Searchlight Pictures.

Let’s get this out of the way quickly: is not—I repeat, —a movie about cannibalism. I say this not to spoil potential viewers but to reassure, since it’s the first question almost anyone who’s aware of the film has asked me. Just whatgoing on in Mark Mylod’s pitch-black comedy about a celebrity chef presiding over a very special meal for the wealthy and famous? Something sinister, yes, with an “eat the rich” mentality—but Julian Slowik

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