Released 24 MARCH
o say he’s 6’4 with perfect bone structure and the physique of a Rodin statue, Alexander Skarsgård plays a loser exceptionally well. We’ve seen glimpses of this talent in and , but it’s more common to see him typify male peak performance than it is for was a darkly comic look at ‘surgery [as] the new sex’, Brandon Cronenberg’s third feature takes a more nihilistic line: death is the new life.
