We can’t help but shed a little tear every timefirst appeared on Sakamoto’s 1995 album as a dreamy trip-hop number, but the version we love the most can be found on the 1996 version of the album. Distilling the original into a touching arrangement for piano trio, its gorgeous, melancholic, deceptively simple theme does so much with so little. Check out Jay Electronica’s equally heartrending
Ryuichi Sakamoto, Bibo No Aozora (1996)
Jun 01, 2023
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