Aperture

Reviews

Jamel Shabazz

If you want to understand the look of life on the streets of New York City in the 1980s, turn to Jamel Shabazz and his singular record of Black joy and sartorial flair. After a stint in the US Army, stationed in Germany, Shabazz returned to his home of New York. He worked on Wards Island and as a corrections officer on Rikers Island, the city’s notorious jail, at the height of the crack epidemic and the “war on drugs,” which devastated communities of color. On the weekends, he traversed the city, making portraits of individuals and collective portraits of friends and families in collaboratively choreographed poses. In an era of take-and-run street photography, Shabazz worked slowly. He spoke with people. “When I look at you, I see greatness,” he’d say when approaching a potential subject. “If you don’t mind, I’d like to take a photograph of you and your crew.” The sidewalks and subway platforms of Brooklyn, Queens, and the Bronx were his studio.

You’re reading a preview, subscribe to read more.

More from Aperture

Aperture7 min read
Poetic Research
Polymode started as a concept before becoming a business in 2014. Its cofounders, Silas Munro and Brian Johnson—who first met at RISD and have collaborated over the years from North Carolina and California—dismantle the idea of designers who leave th
Aperture3 min read
Dayanita Singh Better Living
Architecture and photography have always been intimately connected. These media share a few fundamentals: impacts of light and air, the balance of surface and depth, interiority and exteriority, and how these relations are mediated by the human body.
Aperture7 min read
The Shape of Things
IMAGINE HAVING LOST A LOVED one in the New England of the 1870s. Then, a knock at your door: a salesman in a suit. He pulls out a bound catalog of albumen-silver prints, with as many photographs in it as you’ve maybe seen in a lifetime, each showing

Related Books & Audiobooks