The Critic Magazine

Norman Lebrecht on Music

SITTING AT AN AWARDS DINNER next to the leader of a period-instrument orchestra, we fell to talking about conductors, whom she generally disparaged. I asked what she remembered of her early years in the Philharmonia Orchestra. Suddenly, her eyes glistened. “We had Otto Klemperer,” she said. “Nobody ever made us sound like that.”I heard a similar appreciation from Sir Simon Rattle, no respecter of old lions. “Try as I might,” said Rattle when conducting the Philharmonia, “I could not get that Klemperer sound out of their fingers.”

Klemperer died 50 years ago this July, aged 88, cared, will follow in October.

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine6 min read
The Best We Can Hope For
DANIEL KAHNEMAN DIED ON 27 MARCH AT the age of 90. He was one of the most perceptive and accurate psychologists of the last 100 years, and his analysis of the sorts of mistake we are liable to make when trying to decide what to do is permanently valu
The Critic Magazine4 min read
Whole lotta Love
THE LABEL “DIFFICULT” GETS OVER-used for women, but in Courtney Love’s case, you can say she earned it. At 59, she’s lived every cliché of sex, drugs and rock ’n’ roll, and racked up a list of beefs that makes your average rapper look like a Quaker.
The Critic Magazine2 min read
Medical Science Is Oppressive
“ILLNESS” IS A SOCIAL CONSTRUCT, defined solely (and in negative terms) against its antithesis: “wellness”. Society, in other words, has created the category of “illness” as a means to impose power on those who do not conform to cultural norms of wha

Related Books & Audiobooks