In an orange prison jumpsuit and chains, a tall, lean drag queen writhed to a cover of “War Pigs” by Brass Against, which sounds like someone swapped Black Sabbath’s lead singer for a woman and added a highly caffeinated marching band. As she lip-synced, Hermajestie the Hung completed a dramatic strip tease down to an army fatigue jacket and fishnets, all to riotous cheers and a rain of dollar bills.
It’s April at the Swan Dive on Red River in Austin’s club district, where “Tuesgayz” night LGBTQ+ gatherings—which include “Queereoke” sing-along sessions—are a tradition. For over a year, the Black-led drag troupe Vanguard, with an informal membership of about a dozen performers that includes both drag kings and queens, has opened each show with the same invocation:
“On our stage we proudly proclaim that Black lives matter, trans rights are human rights, no human is illegal, all bodies are beautiful, and my body, my choice.”
Hermajestie—who described herself as a “postbinary, polyamorous, pansexual pot-smoking parent” and goes by “any pronouns but he/him”—explained later that she started each night the same way because she “realized that once I mention these things, the trash usually takes itself out.”
(We are using performers’ stage names in this article to protect their privacy.)
Vanguard, she explained, serves as a “declaration and celebration of queer freedom, queer love, queer existence and queer solidarity.” The space she has created is often politically charged. Each night, she recounts the latest legislative
