HORROR
Are scary movies getting more conservative?
ifty years ago, William Friedkin’s offered a realistic horror about agents of Christ fighting an evil that contradicts itself at every turn, making it impossible to purge. More than little girls swearing in low registers or pea soup vomit slamming into priests, its legacy should be a creeping doubt about the nature of God and the Devil. Now, with lionising original cast members and doubling the number of demonic kids, it seems we’ve got
