Neumann doesn’t do things by halves. Its microphones are studio standards, with the U87 in particular being a legendary vocal and instrument recorder that has been used on countless recordings. Then there are the company’s studio monitors. The KH range basically provides the same kind of audio quality at the other end of the recording chain – you’re hearing your mixes as well as they were recorded with those mics. But there’s something in the middle linking the mics and monitors that Neumann hadn’t done – the audio interface. With the MT 48, the missing
