The Atlantic

The James Bond Trap

Ian Fleming created the superspy—and then couldn’t get rid of him.
Source: Illustration by Paul Spella. Sources: Express Newspapers / Getty; Fototeca Gilardi / Getty.

The next Bond movie should be called Libido of Secrecy. It should be called Marmalizer, Mercuryface, Die to Tell the Tale.

Actually—and I’m quite serious—it should be called , after Ian Fleming’s only book of poetry. Nicholas Shakespeare, in his walloping new biography, , describes this slim volume, bound in black and self-published in 1928, as “the holy grail for Fleming collectors.” He was 20. He was arty. Shakespeare includes a contemporary sample from Fleming’s journal: “If the wages of sin are Death / I am willing to pay / I have had my short spasm of life / now let death take its sway.” We have to rely on the sample, because itself is gone. “He read me several poems,” Fleming’s friend and sometime business partner Ivar Bryce remembered, “the beauty

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