Half-Chinese, half-Japanese American producer and writer Julie Wong recalls the day her “Chinese American, risk-averse engineer dad suggested that I try my hand at TV writing” after she had been working in politics in the US for 15 years. “I was shocked,” she says. “But he pointed out that I loved TV and I loved to write, so why not?” A few weeks later, she signed up for her first TV writing class at an NGO called Cape—the Coalition of Asian Pacifics in Entertainment. It was a decision that changed her life—in 2018, her talent would lead to her being hired as a staff writer and later on co-executive producer of the hugely popular television series Grey’s Anatomy—season 20 was released in March this year.
Wong wasn’t wrong to have doubts; conversations about racial diversity and representation in the film industry weren’t as common as they are today. “I can’t recall seeing
