Future Music

SUPERCHARGE YOUR STUDIO WORKFLOW

The array of plugins, synths, controllers and sequencers on the market these days offer near limitless potential. When creativity strikes, there’s no end to the roads it can lead you down.

Sadly though, alongside this comes a lot of admin, necessary preparation and potential issues, all of which can get in the way of your creativity. Unlike, say, composing a song on an acoustic guitar, where – aside from tuning and possibly changing a string – your instrument is almost always to-hand and ready to go, composing an electronic track or recording music in a DAW comes with a long list of potential pitfalls.

Whether you’re largely in-the-box or running a varied selection of hardware and outboard, the truth is that your studio has as much potential to get in the way of your creativity as it does to unlock it. Whether that’s the process of having to find, load and access the right sounds, dealing with latency or connectivity issues or struggling with an awkwardly designed or bad-sounding space.

That’s what we’re dealing with this issue. Rather than looking at making music itself, we’re here to tackle the things that might stunt your creativity. Over the following pages, we’ll look at the many ways to connect a modern studio and we’ll get some advice from an expert who has helped configure studios around the world. First, we’ve collected some of the best workflow tips from our team of experts, to offer quick ideas that will help turn your studio from a hindrance to a help…

5 quick ways to get more from your studio sessions

1 Template it up

DAW TEMPLATES ARE among the most effective ways to organise your workflow. So much time can be lost browsing and waiting for a plugin to be instantiated, and sometimes you can almost feel the excitement at a good musical idea fizzling out as you browse for a sound. The issue for those who work with electronic music tools is that not only do we have to think about ‘the notes’, we also have to think about the sounds those notes will play, which means we’re constantly toggling between being musicians/composers and then programmers/engineers, looking for the right sounds that can do our best ideas justice.

Most musicians are prepared to compromise on the finer details of sounds until the songwriting/ composing stage of their work is complete, so long as the sounds in front of them are inspiring enough to allow a good idea to be explored. Enter the template. This is a working environment for your DAW which can be tailored to your specific musical needs. Say you’re a songwriter who likes to work chords out on the piano before recording guitar through a microphone, then entering a basic idea for a bassline via a favourite plugin and finally adding basic drum grooves via a specific library. Why would you open a blank document in your DAW each time if, almost always, you reach for these same instruments and audio tracks? Wouldn’t it be better and more time-saving to have a track saved with your specific preferences and instrument choices, so that you can have all of those sounds ready and waiting in front of you? Yes, it would.

Perhaps a better example would be a template for those composing music for picture. Junkie XL (aka Tom Holkenborg) has switched his career from producing stadium-filling dance music to that of a film composer (his scores include Mad Max: Fury Road and Deadpool) and his Studio Time With Junkie XL series on YouTube is well worth a watch. His composing template extends to over 1,000 tracks so every time he sits down to work, every orchestral section, with every possible articulation, in every different size of orchestral group from solo to massed orchestral players, is available. Alongside these, he has a huge array of drum libraries (third-party ones, as well as those he’s made himself), access to a phenomenal collection of hardware synths and vast swathes of instrument plugins too. Add to this effects solutions aplenty, when he finds a sound he likes, he’s ready to place it in one or more ‘spaces’.

Now, you might be thinking, isn’t that overkill? Even the fastest computers in the world would take several minutes to load up that level of track count, so what do you do if inspiration strikes and you don’t want to drum your fingers on the table, restlessly awaiting your computer to complete the loading process just for you to have access to a single piano plugin? The solution is to

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