An-My Lê’s latest retrospective traced the artist’s career from 1994 to the present, rendering global conflict with self-reflexive nuance and grace. “Between Two Rivers/Giữa hai giòng sông/Entre deux rivières,” ranged in subject matter from eerily bucolic images of war-ravaged Vietnam to Hollywood film sets and American war games—an expansive body of work, united by a desire to explore the effects of military conflict on our physical and psychic landscapes. With
