ArtAsiaPacific

Chitra Ganesh on Rummana Hussain

Rummana Hussain (1952–1999) is widely considered one of India’s foremost conceptual artists. I had the great fortune of seeing her last solo show before she died, “In Order to Join,” held at Art in General in New York in October 1998. The exhibition was a culmination of a months-long residency, and the convergence of Hussain’s work with this space was, in itself, extraordinary. The site-specific installation featured a projected video of her walking barefoot across the Queensboro Bridge (which connects Manhattan and Queens), combined with found objects such as hair

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific3 min read
When Lives Become History
As storytellers, artists are often fascinated with the personal lives and creative output of others. But how can (or should) artists transform these stories into their own work? And as these artworks enter public circulation, what responsibilities do
ArtAsiaPacific3 min read
News Round Up
Several leadership changes were announced at Asia’s major art institutions. On April 1, Eugene Tan, the current director of the National Gallery Singapore (NGS) and Singapore Art Museum (SAM), took over as CEO of both institutions from Chong Siak Chi
ArtAsiaPacific10 min read
Manal Aldowayan immortal Traces
For a long time, Manal AlDowayan did not see herself as an artist. Having grown up in the Saudi Aramco residential compound in Dhahran during the 1980s, she witnessed few, if any, examples of full-time artmaking, let alone by women. Confining her pra

Related Books & Audiobooks