On the edge of a quiet river bank a barefooted, red-robed monk presses his heel carefully into the soil. Later, he walks at an inexplicably slow pace across the marble floor of Washington, DC’s
TSAI MING-LIANG
When Lives Become History
As storytellers, artists are often fascinated with the personal lives and creative output of others. But how can (or should) artists transform these stories into their own work? And as these artworks enter public circulation, what responsibilities do
