nter the main gallery at Wollongong Art Gallery and you will immediately notice the energetic and dense 2023, by Suzanne Archer on the back wall. You’d be forgiven for marching straight down the centre of the room to get a closer look. But turn right instead, follow the slow hexagonal arc of the gallery. Notice first the small suite of gouache landscapes by Elisabeth Cummings, with their flattened muted colours, so impenetrable until they begin to
