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I met with Gary Deirmendjian in his studio, or one aspect of it at least, at a café in Sydney’s Kings Cross. He is self-described as an “urban animal,” and the streets form a diorama and the source for his creations. Consequently, Deirmendjian’s artistic practice rejects defined parameters, both in terms of medium and its display. His multifaceted practice centres on uncovering and exposing truth whilst utilising the materials within the urban environment he inhabits. Deirmendjian’s works therefore form part of an ongoing, evolving process that creates provocative interventions into the everyday.
Deirmendjian describes his artistic practice as a “disparate affair” that rides the boundaries