N-Photo: the Nikon magazine

Nikon Z 28-400mm f/4-8 VR

£1399/$1297 www.nikon.co.uk

’m a real fan of superzoom lenses for walkabout and travel photography. They give me the ability to react to unfolding photo opportunities at the flick of a wrist, rather than swapping between lenses or carrying around more than I need. Superzoom lenses tend to compromise image quality in favour of a supersized zoom range – but there was actually little sacrifice when it came to 2020’s Nikon Z 24-200mm f/4-6.3 VR, which is a fine lens and very good value for an all-in-one zoom. This new Z 28-400mm doesn’t go as wide (and the difference is noticeable), but it doubles up on telephoto reach. And if you’re going to make a superzoom, then arguably the more ‘super’ the better. Why settle for the likes of a 24-120mm lens

You’re reading a preview, subscribe to read more.

More from N-Photo: the Nikon magazine

N-Photo: the Nikon magazine2 min read
Lightbox
SARA ROGERS A shaft of light illuminated the stairwell in a historic church as the bride descended, creating a striking play of light and shadow. Capturing this scene required quick thinking and the couple’s trust, resulting in a romantic yet dramati
N-Photo: the Nikon magazine3 min read
Mistakes Happen
It’s difficult to describe the immense sinking feeling I was experiencing in that moment, having just returned hot, tired and with my eyes lined with dust from an epic game drive. I was at a safari camp in the heart of the Okavango Delta, one of the
N-Photo: the Nikon magazine2 min read
Focus Shift Shooting explained
Sometimes you simply can’t get a sufficiently large depth of field to retain sharpness in a scene, from the closest foreground area to the background. Using a narrow aperture can only get you so far. Depth of field itself is governed by three factors

Related Books & Audiobooks