“What a ploy to get us here,” I whispered to Jennifer Choo, regional managing editor of . We were at Issey Miyake’s flagship Milan boutique, the last stop in our six-day Milan Design Week pilgrimage,, featured two sheets of foam stuck with countless wooden skewers, their tips dipped in purple, yellow and red, draped over a simple wooden structure; the rest of the showcase consisted of smaller study models of this. Co-created with Dutch collective We Make Carpets, it was a low-tech, high-impact installation that lured design lovers to visit and, most probably—after realising how small the “exhibition” was—to shop. It equally annoyed, impressed, and amused me, and it stayed with me long after I returned to Singapore.
