![f0015-01.jpg](https://article-imgs.scribdassets.com/7q4clhspogcoksqs/images/fileSX9P8TRF.jpg)
IN CONVERSATION
![f0014-01.jpg](https://article-imgs.scribdassets.com/7q4clhspogcoksqs/images/fileD19HAWEW.jpg)
![f0014-02.jpg](https://article-imgs.scribdassets.com/7q4clhspogcoksqs/images/fileHW9AQRQW.jpg)
Creating a narrative and capturing a mood has always been Anne McCormack's top priority, as well as the desire to pass onto the viewer the image that caught her imagination in the first place. Anne's considered use of colour and light to describe shape, set the time of day or highlight particular sections or objects in a painting, are paramount in creating that all-consuming ambiance.
Having held roles as a council member of the Royal Institute of Painters in Water Colours (RI) and past vice president of the Society of Women Artists (SWA), Anne has a great insight into exhibition organisation and the background work that goes into running a society. After many years appearing in national art society open exhibitions and selling work through independent galleries and regional art shows, Anne's first significant breakthrough was to be elected a full member of the SWA in