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Most features on ambient music creation tend to begin by making reference to Brian Eno’s early definition of ambient as music that “must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting”
the originators of the genre, at least in its electronic form, it’s hard to argue with Eno’s suggestion, but several decades on, this definition feels a little narrow. The various offshoots of ambient