The Critic Magazine

STUDIO

Walking south down Oxford’s Mansfield Road, it is hard not to be stopped in one’s tracks by the porter’s lodge of the Gradel Quadrangles, built for New College [1]. Opened only in April this year, and still awaiting their finishing touches, they are the newest addition to a city that contains arguably the country’s grandest suite of urban buildings but also its most curious.

Seen as it is approached, obliquely, the bulging arch of the low-winged porters’ lodge contrasts vividly with the strict, Perpendicular lines of Thomas Worthington’s (rather uninspiring) chapel at Harris Manchester that stands behind it . Looked .

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