oth regular readers of this column might well remember a recent effort in which I waxed lyrical about the new-ish Fender Princeton Reverb Tone Master, a modelling amplifier embodying digital trickery, by which I mean it’s light enough to lift with one finger, yet claiming to emulate the sound of the original all-tube iteration. And by and large, jolly good it
MITCH DALTON
Jun 28, 2024
2 minutes
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