RINGO STARR’S GRINNING, head-shaking figure flailing away behind his Ludwig drum kit was as much a trademark of the early Fab Four as their collarless jackets and three-part harmonies. In interviews, his deadpan wit was the equal of John Lennon’s more acerbic humour, and the morose persona he presented in the 1964 film A Hard Day’s Night broke just as many female hearts as Paul McCartney’s doe eyes.
All this helped make this practitioner of a craft that had previously been a ticket to a lifetime of standing in the shadows of others the most popular Beatle: sales of “I Love Ringo” badges left those for his three colleagues standing. Such was
