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The film The Bikeriders offers an interesting test case: If one aspect of a movie is way above average, does it make up for the parts that are subpar? Specifically, if the performances are phenomenal across the board, is it okay if there’s no plot? Or not much of one?
The Bikeriders is an immersion in the life and times of the fictional Vandals, a Chicago motorcycle gang that evolves over the course of the 1960s from a