The Oldie

LUCY LETHBRIDGE explores the growing phenomenon of beautifully repackaged past titles

Under the corporate foliage of mainstream book publishing, independent seedlings are flourishing. Reprinting the bestsellers (or even the not-quite-best sellers) of the past can be not only modestly lucrative but there is an appetite for books that feel like books, that offer an old-fashioned, material, reader experience.

Think of delicious Slightly Foxed limited edition clothbound hardbacks with gold blocking and a ribbon bookmark; or the lovely reproductions of period textiles on the endpapers of a Persephone volume. The plots of the) may not, in the age of Netflix, pack the thrills they once did but their retro covers are irresistible.

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