The Atlantic

An Antidote to the Cult of Self-Discipline

A new novel sees procrastination as one of the last bastions of the creative mind.
Source: Daniel Dorsa

Procrastination, or the art of doing the wrong things at one specifically wrong time, has become a bugbear of our productivity-obsessed era. Wasting resources? Everybody’s doing it! But wasting time? God forbid. Schemes to keep ourselves in efficiency mode—the rebranding of rest into self-care, and of hobbies into side hustles—have made procrastinating a tic that people are desperate to dispel; “life hacks” now govern life. As the anti-productivity champion Oliver Burkeman once put it, “Today’s cacophony of anti-procrastination advice seems rather sinister: a subtle way of inducing conformity, to get you to do what you ‘should’ be doing.” By that measure, the procrastinator is doing something revolutionary: using their time without aim. Take to the barricades, soldiers, and when you get there, do absolutely nothing!

The novel has been sniffily maligned throughout its history as a particularly potent vehicle for wasting time—unless, of course, it improves the reader in some way. (See: the’s Catherine Morland.) Which makes Rosalind Brown’s tight, sly debut, , a welcome gift for those who dither about their dithering. It presents procrastination as a vital, life-affirming antidote to the cult of self-discipline, while also giving the reader a delicious text with which to while away her leisure time.

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