ArtAsiaPacific

DREAM WORLDS

Samo Shalaby

CAIRO/DUBAI/LONDON

Samo Shalaby’s paintings create worlds in which no desire or fear is beyond imagining. Masqueraders dance through baroque dreamscapes in his Figurative Theatre series (2021–); a princess faints under the pink light of her chambers in The Other Woman (2023); thick, plush curtains of silk and velvet are omnipresent, as if Shalaby wants us to question his theatricality. Is this only for show, or does something more sinister lie beneath?

The Egyptian-Palestinian artist often draws inspiration from his multifaceted upbringing. Raised between Cairo and Dubai (where, with the addition of London, he continues to live and work), Shalaby spent his childhood shadowing his

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific6 min read
Yunchul Kim
Yunchul Kim operates in a strange, uncategorizable zone, somewhere between what the ancient Greeks termed techne (technical mastery) and poiesis (poetry). Being a master of chemical processes that create unique colors from ecological sources and a bu
ArtAsiaPacific3 min read
Xu Bing Word Alchemy
Xu Bing once remarked that his conceptual installation Book From the Sky (1987–91) was “a channel for [him] to enter the profound and boundless field of language, from which [he] can touch the origin of almost all vital issues of civilization.” For f
ArtAsiaPacific3 min read
YOLO to “Yo, No”
Whether it’s due to a recession, boredom, or resetting of priorities, all shades of contemporary art have experienced better days. The young and the restless (buyers and sellers) are suffering dry heaves after a brief lifetime of thinking prices only

Related Books & Audiobooks