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The Comedy of Errors
The Comedy of Errors
The Comedy of Errors
Audiobook1 hour

The Comedy of Errors

Rating: 3.5 out of 5 stars

3.5/5

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About this audiobook

William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time.

‘We came into the world like brother and brother,
And now let's go hand in hand, not one before another.’

How do any of us really know who we are? A man arrives in a strange town only to find that everyone knows his name, but thinks he’s someone else. A woman wonders why her husband is not the man he was, but starts to rather like it. Confusion mounts as everyone uncouples from themselves. Will they ever find themselves again? And do they really want to?

All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production.

The full cast includes: Denis McCarthy; Michael Hordern; George Rylands; George Rylands; Michael Bates; Michael Bates; Peter Orr; Clive Swift; Terrence Hardiman; Dudley Jones; Lally Bowers; Joan Hart; Janette Richer; Janette Richer; Prunella Scales.

LanguageEnglish
Release dateNov 26, 2020
ISBN9780008443108
Author

William Shakespeare

Born in 1564 in Stratford-upon-Avon, Warwickshire, England, William Shakespeare is widely regarded as the greatest writer and playwright in the English language. In 1594 he founded the acting company the Lord Chamberlain's Men, later the King's Men, in London. He died in 1616.

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Reviews for The Comedy of Errors

Rating: 3.65 out of 5 stars
3.5/5

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  • Rating: 2 out of 5 stars
    2/5
    I wasn't surprised to learn that "Comedy of Errors" is one of Shakespeare's early plays. It really seemed unpolished compared to some of his best-known work.I guess my major objection was with the whole switcharoo premise, which seemed so implausible that I couldn't suspend that much disbelief.I perhaps might have enjoyed a performance of the play more than a read of it. Definitely one of my least favorites of the Shakespeare plays I've read.
  • Rating: 3 out of 5 stars
    3/5
    This is one of Will's earlier comedies. There's a lot of slapstick, insults, and raunchy humor. This has the classic line, "She is spherical, like a globe. I could find out countries in her."
  • Rating: 4 out of 5 stars
    4/5
    This play probably ties with Twelfth Night for my favorite Shakespeare play of those that I've read. The concept of people constantly mixing up two twins and this wreaking lots of havoc may not be the most advanced ever, but Shakespeare plays it out really well here.This play lives up to its status in the comedy of category. I found the humor very situational, and at times couldn't help but laugh at the irony of the characters' circumstances.I also thought that the characterization was quite well done here. The reader actually does get a fair amount of insight into Adriana's marriage with Antipholus of Ephesus and her feelings. I felt that I also got good insight into why things were happening because Shakespeare partially develops these charactesr by talking about the problems (and their anxieties regarding them) which they need to eliminate to avoid being arrested.I also thought this play was a quick read over all. I thought that the characters kept the reader engaged, as did the plot. It left me wanting to know what happened. Even if this play is a comedy, I think there's lots of other good reasons to enjoy it!
  • Rating: 4 out of 5 stars
    4/5
    I went into this fairly skeptical of how much I would actually enjoy it. I was told that it was Shakespeare's first play and that the only reason that my instructor was having us read it was because it is actually being performed here on campus and we are required to attend the one-night-only performance. Not a glowing recommendation to have before starting a book!The play is surprisingly easy to follow and understand. The humor is actually funny and I found myself chuckling out loud and enjoying the many puns and instances of word play that take place throughout caused by the many mistakes in identity that occur due to the presence of two sets of long separated twins. The play does require the reader/viewer to suspend reality in order for the premise to work, but all in all, it's quite entertaining and worth checking out if you're interested in this sort of thing.
  • Rating: 4 out of 5 stars
    4/5
    another of the 1890 wee books from the same series, wonder what else is out there
  • Rating: 5 out of 5 stars
    5/5
    Great fun! Bit hard to get into at first, but it's hilarious once you do. I feel very sorry for everyone in this play, but that doesn't make it any less funny.
  • Rating: 4 out of 5 stars
    4/5
    Shakespeare set this farce about identical twins in the ancient world. Early in the play, the father of one set of twins explains how the pairs were separated in a ship wreck. This background prepares the audience for scene after scene of mistaken identity as the Syracusan and Ephesian pairs move about Ephesus. I read along as I listened to the Arkangel audio production and laughed aloud at the characters’ confusion. It doesn’t pay to think too deeply about the plot. The Syracusan pair had been traveling for several years in search of their lost twins, so why didn’t it occur to them that their twins were living in Ephesus when all these strangers thought they were someone else?
  • Rating: 2 out of 5 stars
    2/5
    Not one of Shakespeare's best. Two pairs of twins were separated shortly after birth, one pair gentlemen and one pair servants. They are reunited after a series of confusing events and mistaken identity. It wasn't a bad play, and would probably be funnier on stage, but it didn't seem enough of a plot for 5 whole acts.
  • Rating: 3 out of 5 stars
    3/5
    Have you ever seen the 1988 movie Big Business? If you have then you know the general idea of this play’s premise. Two sets of twins are born in the same place on the same night. One set of twins is wealthy, the other is not. The twins are separated at birth and one brother from each set end up growing up together as servant and master. Just to add to the confusion, the twins from each pair have the same name. The play is one big case of mistaken identity. Friends, lovers, foes, everyone is completely confused as they run into the brothers and mistake them for their twin. I think this would be an incredibly entertaining play for kids to see, especially if they’re new to Shakespeare’s work. It’s easy to follow and contains lots of big laughs. In later plays the Bard uses cases of mistaken identity and sets of twins to aid a larger story. This play feels like an early draft of the greater work to come, but it lacks the depth of his other plays. BOTTOM LINE: This is the shortest and shallowest of Shakespeare’s comedies. I have a feeling it would be really fun to see performed live, but it doesn’t work as well in the written form.
  • Rating: 5 out of 5 stars
    5/5
    Absolutely loved it!! I loved the doubles!!!
  • Rating: 3 out of 5 stars
    3/5
    Fast and facile. A Shakespearean sit-com – clever and silly, but with no depth. This one, more than most, I think, needs to be seen performed to be properly appreciated – I imagine all the mix-ups might be quite entertaining, properly acted. Unfortunately I read it, along with a Librivox recording by a cast that included some really talented readers, some who were clearly new to the English language, and a robot. In fairness I'll admit that I'm generally luke-warm on the comedies, aside from “Much Ado, so my lack of enthusiasm probably doesn't say much about the actual merits of this play.
  • Rating: 3 out of 5 stars
    3/5
    A good page of fat jokes, and no end of a-woman's-role-in-marriage repartee, but overall a rather mindless play. The introduction in the Norton Shakespeare struggles to find depth, citing the issue of identity which The Bard clearly doesn't grapple with here.
  • Rating: 3 out of 5 stars
    3/5
    Obviously an earlier work. More slapstick than his more sophisticated humor in his later works. The unfortunate servants serve as the receiving end of a Punch and Judy show. I don't recall that type of humor in his other works. But the "punderful" use of the English language is there from the start. Not a very compelling play, but fun nonetheless.
  • Rating: 2 out of 5 stars
    2/5
    Really excellent insults and figures of speech throughout a ridiculous play. This play should not be performed "straight," or read silently--you need a framing device, or great physical comedy, or *something* to bring it up to the level of Shakespeare's other plays. Because there really isn't much to this farce, and what little substance there is, is a bit sketchy (ah, beating one's slave--hilarity!). Also, I hate mistaken identity stories, so I was prejudiced against this from the start.