The Dance (by An Antiquary) Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
()
Related to The Dance (by An Antiquary) Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
Related ebooks
The Dance: Historic Illustrations of Dancing Rating: 0 out of 5 stars0 ratingsThe Allspice Bath Rating: 0 out of 5 stars0 ratingsEgypt and Cyprus in Antiquity Rating: 0 out of 5 stars0 ratingsDjekhy & Son: Doing Business in Ancient Egypt Rating: 0 out of 5 stars0 ratingsSong of the Flutist: Epic of the Ancient Etruscans Rating: 0 out of 5 stars0 ratingsThe Besieged Pharaoh Rating: 0 out of 5 stars0 ratingsOdyssey of an Etruscan Noblewoman Rating: 0 out of 5 stars0 ratingsCicero's Philippics and Their Demosthenic Model: The Rhetoric of Crisis Rating: 0 out of 5 stars0 ratingsMrs. Tsenhor: A Female Entrepreneur in Ancient Egypt Rating: 0 out of 5 stars0 ratingsThe History of Arabia, Ancient and Modern Rating: 0 out of 5 stars0 ratingsHillary Can Belly Dance Too: A Quest to Save Piazzas * Rating: 0 out of 5 stars0 ratingsTwelve Studies on the Making of a Nation The Beginnings of Israel's History Rating: 0 out of 5 stars0 ratingsThe Lost Queen of England Rating: 0 out of 5 stars0 ratingsThe People of the Cobra Province in Egypt: A Local History, 4500 to 1500 BC Rating: 0 out of 5 stars0 ratingsQueen Of The Dawn Rating: 0 out of 5 stars0 ratingsPausanias' Guide to Ancient Greece Rating: 0 out of 5 stars0 ratingsThe Medieval Mind - Volume II of II Rating: 0 out of 5 stars0 ratingsIn a Different Place: Pilgrimage, Gender, and Politics at a Greek Island Shrine Rating: 0 out of 5 stars0 ratingsRiddles at work in the early medieval tradition: Words, ideas, interactions Rating: 0 out of 5 stars0 ratingsA Different Perspective: The Traveler's Guide to Medieval (Islamic) Spain and Portugal Rating: 0 out of 5 stars0 ratingsThe Lives of the Twelve Caesars: Volumes I and II Rating: 0 out of 5 stars0 ratingsTUT: The New Musical Rating: 4 out of 5 stars4/5Zenobia; or the Fall of Palmyra Rating: 0 out of 5 stars0 ratingsA Companion to Sport and Spectacle in Greek and Roman Antiquity Rating: 0 out of 5 stars0 ratingsThe Forty Sieges of Constantinople: The Great City's Enemies & Its Survival Rating: 0 out of 5 stars0 ratingsProtecting Pharaoh's Treasures: My Life in Egyptology Rating: 4 out of 5 stars4/5The History & Mythology of Ancient Egypt Rating: 0 out of 5 stars0 ratingsEbony Swan: The Case for Shakespeare’s Race Rating: 0 out of 5 stars0 ratingsThe Color of Equality: Race and Common Humanity in Enlightenment Thought Rating: 0 out of 5 stars0 ratingsHomer's Odyssey: A Commentary Rating: 0 out of 5 stars0 ratings
Reviews for The Dance (by An Antiquary) Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
0 ratings0 reviews
Book preview
The Dance (by An Antiquary) Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. - Archive Classics
The Project Gutenberg EBook of The Dance (by An Antiquary), by Anonymous
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: The Dance (by An Antiquary)
Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
Author: Anonymous
Release Date: December 12, 2005 [EBook #17289]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE DANCE (BY AN ANTIQUARY) ***
Produced by Ben Courtney, Sandy Brown, and the Distributed
Proofreaders team
PREFACE.
This sketch of the iconography of the dance does not pretend to be a history of the subject, except in the most elementary way. It may be taken as a summary of the history of posture; a complete dance cannot be easily rendered in illustration.
The text is of the most elementary description; to go into the subject thoroughly would involve years and volumes. The descriptions of the various historic dances or music are enormous subjects; two authors alone have given 800 dances in four volumes.[1]
It would have been interesting if some idea of the orchesography of the Egyptians and Greeks could have been given; this art of describing dances much in the manner that music is written is lost, and the attempts to revive it have been ineffective. The increasing speed of the action since the days of Lulli would now render it almost impossible.
It is hoped that this work may be of some use as illustrating the costume, position and accessories of the dance in various periods to those producing entertainments.
To the reader desirous of thoroughly studying the subject a bibliography is given at the end.
FOOTNOTES
Footnote 1: Thompson's complete collection of 200 country dances performed at Court, Bath, Tunbridge, and all public assemblies, with proper figures and directions to each set for the violin, German flute, and hautboy, 8s. 6d. Printed for Charles and Samuel Thompson, St. Paul's Churchyard, London, where may be had the yearly dances and minuets. Four volumes, each 200 dances. 1770-1773.
Historic Illustrations of Dancing.
CHAPTER I.
Egyptian, Assyrian, Hebrew, and Phoenician Dancing. The Ritual Dance of Egypt. Dancing Examples from Tomb of Ur-ari-en-Ptah, 6th Dynasty, British Museum. Description of Dancing from Sir G. Wilkinson; of the Egyptian Pipes and Hieroglyphics of Dancing, &c. Phoenician Round Dances, from a Limestone Group found at Cyprus, and Bronze Patera from Idalium, Cyprus.
In this work it is not necessary to worry the reader with speculations as to the origin of dancing. There are other authorities easily accessible who have written upon this theme.
Dancing is probably one of the oldest arts. As soon as man was man he without doubt began to gesticulate with face, body, and limbs. How long it took to develop bodily gesticulation into an art no one can guess—perhaps a millennium.
In writing of dancing, one will therefore include those gesticulations or movements of the body suggesting an idea, whether it be the slow movement of marching, or the rapid gallop, even some of the movements that we commonly call acrobatic. It is not intended here to include the more sensual movements of the East and the debased antique.
Generally the antique dances were connected with a religious ritual conceived to be acceptable to the Gods. This connection between dancing and religious rites was common up to the 16th century. It still continues in some countries.
In some of the earliest