Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    Only $11.99/month after trial. Cancel anytime.

    Godolphin, Volume 1.
    Godolphin, Volume 1.
    Godolphin, Volume 1.
    Ebook91 pages1 hour

    Godolphin, Volume 1.

    By Edward Bulwer-Lytton

    ()

    Read preview
    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 26, 2013
    Godolphin, Volume 1.
    Author

    Edward Bulwer-Lytton

    Edward Bulwer-Lytton, engl. Romanschriftsteller und Politiker, ist bekannt geworden durch seine populären historischen/metaphysischen und unvergleichlichen Romane wie „Zanoni“, „Rienzi“, „Die letzten Tage von Pompeji“ und „Das kommende Geschlecht“. Ihm wird die Mitgliedschaft in der sagenumwobenen Gemeinschaft der Rosenkreuzer nachgesagt. 1852 wurde er zum Kolonialminister von Großbritannien ernannt.

    Read more from Edward Bulwer Lytton

    Related to Godolphin, Volume 1.

    Related ebooks

    Related podcast episodes

    Related articles

    • Article

      If I Had a Sense of Beauty

      Dec 5, 2017

      If I Had a Sense of Beauty
      14 min read

    • Article

      Five Non-Fiction Books for Writers in an Emergency

      Jul 14, 2017

      I read non-fiction books that I thought might indirectly tell me something about fiction, even though they were really about something else. The post Five Non-Fiction Books for Writers in an Emergency appeared first on The Millions.

      5 min read

    • Article

      Ain’t That Pretty at All; Or, Going to the Tigers

      Oct 28, 2022

      Like most people, I would often prefer to be someone else. Ideally, the prose this other self would write would not be like mine at all. The post Ain’t That Pretty at All; Or, Going to the Tigers appeared first on The Millions.

      12 min read

    • Article

      Books

      Mar 22, 2021

      by Tangaroa Walker Penguin — $38 Don’t read this book — or at least its introduction — if you don’t think you’ll be entertained by the killing of a cow when a car hits one and farcical complications ensue. As the title of that section indicates, “Far

      5 min read

    • Article

      The Torture Box: A Critical Look at Flannery O’Connor and Her Disproportionate Retributions

      Aug 3, 2018

      In a word cloud of writing about Flannery O’Connor’s stories, “grotesque” would be central, medium-large. The word is typically applied to the characters in her stories, whose spiritual deformities are often represented—in problematic authorial short

      5 min read

    • Article

      The Grueling, Painful, Beautiful Fiction of László Krasznahorkai

      Aug 8, 2017

      To misread Krasznahorkai as merely, or primarily, a political writer is to risk squandering the profoundly personal nature of his stories. More tragically, it is to foist a kind of sloppy activist, and determinately secular métier onto one of contemp

      9 min read

    • Article

      What We’re Reading This Summer

      Jun 28, 2019

      Atlantic staffers pick 14 books to spend time with this season, including Freshwater, Republic of Spin, Killing and Dying, and more.

      10 min read

    • Article

      Orlando Spirit Of The Age

      Jun 11, 2019

      Orlando Spirit Of The Age
      5 min read

    • Article

      A Symposium on Invisibility

      Sep 1, 2022

      A Symposium on Invisibility
      26 min read

    • Article

      Saul Bellow and the Human Look

      Mar 1, 2022

      Saul Bellow and the Human Look
      10 min read

    • Article

      The Ecology Of The Family

      Jun 9, 2024

      The Ecology Of The Family
      7 min read

    • Article

      Oh, Corona

      Jan 1, 2024

      Books The Lights by Ben Lerner Farrar, Straus and Giroux, 2023 128 pp., $26.00 (hardcover) According to the latest Times article on the qualitative merits of bot art, Ben Lerner has lent excerpts from his new poetry collection to a group of venture c

      7 min read

    • Article

      Oh No

      Jul 1, 2018

      Because past the angel at the gate, oh can turn like that, go under, straight into poetry. Here’s the god’s honest: a moment of calm recently came to me, so close to sleep it was sleep. In my dream I saw a girl whose dark t-shirt read: All is Failure

      7 min read

    • Article

      Hard to Get: Books That Resist You

      Jan 30, 2019

      1. Recently, for the fourth or fifth time in my life, I started trying to read James Salter‘s A Sport and a Pastime. I bought my copy many years ago, after falling in love with his story collections and enjoying Light Years, probably his best-known n

      6 min read

    • Article

      An Element of Perversity: The Millions Interviews Katharine Kilalea

      Aug 30, 2018

      OK, Mr. Field—the debut novel from the South African-born, London-based writer Katharine Kilalea—is the story of a man and a house. Mr. Field, a concert pianist who lives in London, suffers a wrist injury after a performance of Chopin’s “Raindrop Pre

      8 min read

    Reviews for Godolphin, Volume 1.

    0 ratings

    0 ratings0 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

      Book preview

      Godolphin, Volume 1. - Edward Bulwer-Lytton

      The Project Gutenberg EBook Godolphin, by E. B. Lytton, Vol. 1 #177 in our series by Edward Bulwer-Lytton

      Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.

      This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.

      Please read the legal small print, and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.

      **Welcome To The World of Free Plain Vanilla Electronic Texts**

      **EBooks Readable By Both Humans and By Computers, Since 1971**

      *****These EBooks Were Prepared By Thousands of Volunteers*****

      Title: Godolphin, Volume 1.

      Author: Edward Bulwer-Lytton

      Release Date: March 2005 [EBook #7750] [Yes, we are more than one year ahead of schedule] [This file was first posted on May 27, 2003]

      Edition: 10

      Language: English

      *** START OF THE PROJECT GUTENBERG EBOOK GODOLPHIN, BY LYTTON, V1 ***

      This eBook was produced by Andrew Heath and David Widger

      GODOLPHIN, Volume 1.

      By Edward Bulwer Lytton

      (Lord Lytton)

      TO COUNT ALFRED D'ORSAY.

      MY DEAR COUNT D'ORSAY,

      When the parentage of Godolphin was still unconfessed and unknown, you were pleased to encourage his first struggles with the world: Now, will you permit the father he has just discovered to re-introduce him to your notice? I am sorry to say, however, that my unfilial offspring, having been so long disowned, is not sufficiently grateful for being acknowledged at last: he says that he belongs to a very numerous family, and, wishing to be distinguished from his brothers, desires not only to reclaim your acquaintance, but to borrow your name. Nothing less will content his ambition than the most public opportunity in his power of parading his obligations to the most accomplished gentleman of our time. Will you, then, allow him to make his new appearance in the world under your wing, and thus suffer the son as well as the father to attest the kindness of your heart and to boast the honour of your friendship?

                                    Believe me,

                               My dear Count d'Orsay,

                                    With the sincerest regard,

                               Yours, very faithfully and truly,

                                                      E. B. L.

      PREFACE TO GODOLPHIN.

      In the Prefaces to this edition of my works, I have occasionally so far availed myself of that privilege of self-criticism which the French comic writer, Mons. Picord, maintains or exemplifies in the collection of his plays,—as, if not actually to sit in judgment on my own performances, still to insinuate some excuse for their faults by extenuatory depositions as to their character and intentions. Indeed, a writer looking back to the past is unconsciously inclined to think that he may separate himself from those children of his brain which have long gone forth to the world; and though he may not expatiate on the merits his paternal affection would ascribe to them, that he may speak at least of the mode in which they were trained and reared—of the hopes he cherished, or the objects he entertained, when he finally dismissed them to the opinions of others and the ordeal of Fate or Time.

      For my part, I own that even when I have thought but little of the value of a work, I have always felt an interest in the author's account of its origin and formation, and, willing to suppose that what thus affords a gratification to my own curiosity, may not be wholly unattractive to others, I shall thus continue from time to time to play the Showman to my own machinery, and explain the principle of the mainspring and the movement of the wheels.

      This novel was begun somewhere in the third year of my authorship, and completed in the fourth. It was, therefore, composed almost simultaneously with Eugene Aram, and afforded to me at least some relief from the gloom of that village tragedy. It is needless to observe how dissimilar in point of scene, character, and fable, the one is from the other; yet they are alike in this—that both attempt to deal with one of the most striking problems in the spiritual history of man, viz., the frustration or abuse of power in a superior intellect originally inclined to good. Perhaps there is no problem that more fascinates the attention of a man of some earnestness at that period of his life, when his eye first disengages itself from the external phenomena around him, and his curiosity leads him to examine the cause and account for the effect;—when, to cite reverently the words of the wisest, He applies his heart to know and to search, and to seek out wisdom and the reason of things, and to know the wickedness of folly, even of foolishness and madness.

      In Eugene Aram, the natural career of genius is arrested by a single crime; in Godolphin, a mind of inferior order, but more fanciful colouring, is wasted away by the indulgence of those morbid sentiments which are the nourishment of egotism, and the gradual influence of the frivolities which make the business of the idle. Here the Demon tempts or destroys the hermit in his solitary cell. There, he glides amidst the pomps and vanities of the world, and whispers away the soul in the voice of his soft familiars, Indolence and Pleasure.

      Of all my numerous novels, Pelham and Godolphin are the only ones which take their absolute groundwork in what is called The Fashionable World. I have sought

      Enjoying the preview?
      Page 1 of 1