Encountering Hermes, On the Road in Greece: Essays, #2
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Not many will go it alone in a foreign country, particularly if they can't speak the language. Still one day I found myself wrestling with plans for a ten-week odyssey about Greece, the mainland and islands. The longest I'd ever been on the road by myself was the week I spent motoring about Ireland a few years before. But I was pretty much a loner anyway, had been divorced for the past twelve years, my kids grown and off on their own. After making the decision, I hired a tutor and studied Modern Greek for four months. Had to learn a new alphabet. I bought a travel pack, combination suitcase and backpack, inside of which I stuffed clothes, toilet articles, etc.
I was on a spiritual quest, planning to look within myself while at the mythological sites, but not really expecting anything other than a good encounter with the country, its people and a peek at the archeology. I was particularly interested in Thebes, the land of Oedipus; Ithaca, the island of Odysseus; and the religious sites: Delphi, Patmos, whatever. I certainly didn't anticipate an encounter with an ancient Greek god.
The first week of October, while recouping from jet lag, I spent in Athens breathing car exhaust, sweating in the late-summer heat while traipsing about the Akropolis, the temple of Olympian Zeus and visiting the National Archaeological Museum. I spent four days in Thebes, which all the guidebooks told me to avoid, and fell in love with the little city on the hill where the ancient seven-gated Kadmia stood in Oedipus' day and even spent some time staring across the Aonion plain at the mountain of the Sphinx in the distance. But after a couple of days in Delphi at Apollo's temple, I had a problem that threatened to cut my trip short.
Not only was I lonely, but consciously disturbed at having two more months traveling before me. From the very beginning of my trip I'd had unusually-powerful dreams, where I longed for my family: my daughter who had run away from home years before but was now well-established in Atlanta, and my son who was a freelance illustrator in San Francisco. At Delphi, I dreamed of my own death and argued with God about my divorce, woke crying. Not long before leaving for Greece, I'd finished five years of psychotherapy and unaccountably lost my job in aerospace. For the past thirty years I'd been an astronautical engineer, and getting laid off was a serious blow. But since I was also a writer, I'd taken the free time as a blessing. Now, seven thousand miles from home, and alone, I was in trouble.
David Sheppard
David Sheppard is the author of Story Alchemy: The Search for the Philosopher's Stone of Storytelling, and Novelsmithing: The Structural Foundation of Plot, Character, and Narration. He is also the author of the non-fiction work Oedipus on a Pale Horse, and the novel The Mysteries, A Novel of Ancient Eleusis (two volumes). He holds a bachelor's from Arizona State and a master's from Stanford University. He also studied creative writing and American Literature at the University of Colorado. His poetry has appeared in The Paris Review and in England (The 1987 Arvon International Poetry Competition Anthologyjudged by Ted Hughes and Seamus Heaney). While living in Colorado he was a member of the Rocky Mountain Writers Guild for seven years, participated in its Live Poets Society and Advanced Novel Workshop, and chaired its Literary Society. He founded a novel critique group that lasted ten years. He has attended the Aspen Writers Conference in Colorado and the Sierra Writing Camp in California. He has taught Novel Writing and Greek Mythology at New Mexico State University at Carlsbad. He has traveled throughout western Europe and is an amateur photographer and astronomer.
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