The Constant Velocity of Trains
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Lea Deschenes is flirting with perfection. It’s taken much too long for her words to reach a larger audience, an audience that’s been searching fruitlessly for what her work has always offered – bold glimpses of what exhilarates, frightens and moves us. -Patricia Smith, “Blood Dazzlerâ€
Lea Deschenes throws the well-aimed stone of her poetry through the glass houses of hypocrisy and human coldness... she is at all times intelligent, tender, and wedded to the quest for self-knowledge...There's wisdom at work, and at play, in this book. -Alicia Ostriker, “No Heaven"
every poem feels entirely free to find its own voice, its own form. ...this latest volume adds an absolute precision in charting our emotional minefields; a wisdom and a surety of touch that make these poems utterly convincing. -Jack McCarthy, “Good Nightâ€
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The Constant Velocity of Trains - Lea C. Deschenes
Title Page
The Constant Velocity of Trains
a collection of poetry
†
by Lea C. Deschenes
Write Bloody Publishing
America’s Independent Press
Long Beach, CA
writebloody.com
Copyright Information
Copyright © Lea C. Deschenes 2010
No part of this book may be used or performed without written consent from the author, if living, except for critical articles or reviews.
Deschenes, Lea C.
1st edition.
ISBN: 978-1-935904-82-3
Interior Layout by Lea C. Deschenes
Cover Designed by dsn crz, Nate Warkentin
Author Photo by Kae Collins
Edited by Derrick Brown and Saadia Byram
Special thanks to Lightning Bolt Donor, Weston Renoud
Printed in Tennessee, USA
Write Bloody Publishing
Long Beach, CA
Support Independent Presses
writebloody.com
To contact the author, send an email to writebloody@gmail.com
Acknowledgements & Thanks
Transitional Phrases
and On Both Our Houses
appeared in the February-March issue of Lunarosity
The author would like to thank everyone who made these poems possible or necessary, including (but by no means limited to) the following:
The faculty, students & staff of the New England College MFA in Poetry, particularly her mentors Ross Gay, Jeff Friedman, Alicia Suskin Ostriker & Ilya Kaminsky, her second reader Michael Waters and academic director Jacqueline Gens.
The Dead Dogma Wildly Inappropriate Workshop crew.
Many friends for their company, poetry & occasionally talking the author off a metaphorical ledge, especially Lea A., Tony B. & Dorinda W.
Derrick Brown and the staff of Write Bloody Publishing for their vote of confidence.
Victor, as always, for being a bit of wordless sense in a talkative world.
A Note on Lea C. Deschenes’ Work
by Ilya Kaminsky
Lea C. Deschenes is a poet of large, far reaching ambition and the lyric that speaks to us intimately, and movingly. The reader of this collection, if this reader is attentive, is able to stand next to her together / briefly lit before the world / takes what it takes.
I say she is an ambitious poet because it takes a great deal of bravery and ambition—in the best meaning of that word—to attempt to build a ladder to the face of god.
And, yet, on the same page, we are told: I no longer pray for anything / save the gift of understanding.
This is the sort of ambition I wish more young poets would aim for in our age overwhelmed by irony.
I say that her address is direct, yet intimate, because she is able to write Avoiding other things, I thought I’d write / to you.
When she does write, what she offers is a stuttering light.
Still, I say she is an ambitious poet because in the piece called Omens for Agnostics
she is able to place Eden and IKEA in the same stanza, finding profane in the divine, and light
in detail. When you pray to nothing
she tells us, it is for peace.
Yes, it is a good ambition.
And, yet in this public tone, one finds much directness, intimacy. In